Friday, 17 March 2017

Korea

Here is another  extract from my forthcoming guide to the short stories, this time on imagery in Korea.

Themes, Symbolism and Imagery
This is another domestic drama which explores familial relationships and reveals the tensions below the surface.  It is a story about things hidden, deception and distortion of the truth.

The imagery is drawn from fishing, the activity that the boy and his father share.  The father can be seen as the “twisted hook”, the hook that he baits with worms “so beautifully”, with his talk of the promise of America.  The father has become “twisted” by his disappointment with the harshness of his life and his financial insecurity.  The eels in the wire cages that “slide over each other in their own oil” or the “other fish” in the boat, are sold off, like the father proposes to “sell off” his son, like the lost boys, Luke, Michael and Sam, have been “sold” to bring in money for their families.  The bait, the “crawling worms”, that the boy sees just before he goes out to set the night line, is his father’s apparent concern for his future and his suggestion that a better life is to be found in America.  But these worms crawl “in darkness” – the darkness at the heart of the father’s twisted soul.  

Links
The Son, like Elizabeth in “Odours of Chrysanthemums” or Sandra in “The Darkness Out There”, is faced with a shocking revelation that “things are not as they seem”.  “The Darkness Out There” also has a dark secret at its heart and explores the theme of hidden motivations

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